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Cowboys & Aliens - Blu-ray Review - Triple Play Region Free (UK)

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Cowboys & Aliens - Movie Review

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3 Stars

Take an ‘it’ director, hot off the heels of a major franchise success, and high concept idea with a punchy title (Cowboys Versus Aliens! Magic!) that promises a new hybrid of a film, an epic cast with a respected leading man, a Hollywood legend, and a supporting cast of platinum-grade quality, and expectations are going to be huge. It is a cross to bear for any production afforded these elements to deliver a product worthy of its pedigree. Did they do it?

Gunslinger Jake (Craig) awakens on the ground with no memory of who he is, where he is, or why he’s there. Added to which, Jake has some mysterious and decidedly out of place gauntlet permanently affixed to his wrist. As Jake reconnects with civilization, he quickly learns he is a wanted man, a dangerous man on many a folk’s hit list. Just as things look set to go down that well ridden western road, aliens attack the town and begin abducting its people. Together with an eclectic posse, including a cattle baron who wants him dead at first (Ford), and a mysterious beauty who knows more than she’s letting on (Wilde), Jake leads the ragtag bunch on a hunt for the creatures that attacked them.

It’s a wondrously inventive and original premise, and, in a sea of remakes and sequels, it’s a breath of fresh air. But alas, despite all its attempts to be something new, it falls short with its stellar cast in tow. Not that its merits should be overlooked—there are enough of them to recommend a viewing—but be forewarned that even with its cast and budget and originality, it doesn’t completely satisfy.

One of the film’s main problems is its constant desire to homage everything ‘western’, from characters to camera shots. The characters, from Craig’s loner outlaw to Ford’s grizzled baron, are so thinly derived even they can’t raise them from under a large shadow of clichés. But it’s not just characters that are thin; for all the characters that inhabit this film, and the inventive intrusion of some science fiction, very little happens in over two hours of story. The film seems too busy mimicking films of yore to bother much with a plot as inventive as the premise. Even the aliens, design aside, are shallowly conceived, given a rather bland and incredulous motive that Ford’s character openly mocks. Perhaps, therein, lay the central flaw: this constant and annoying wink at the audience that they (the filmmakers) know the whole shebang is rather thin an obvious, but just go with it. Well, with the talent at hand, so much more could have been accomplished.

Enough of the bad. It’s a fun movie; it’s got actors doing the very best with the roles they’re given; the effects and production design are outstanding; the action is constant and the clichés well emulated.

Expectation upon this film was huge for many reasons, none the least being that we are constantly starved for something new in these times. Cowboys and Aliens was at least an attempt to give us that very thing, and for that we should be grateful. However, with the budget and talent afforded this production, and with a little more effort, something wondrous could have been accomplished, which ultimately leaves this reviewer with a bittersweet taste: it was a fun ride but one that failed to rise above remake/sequel pandemic and pioneer a new era of truly brave, original risk taking in cinema.



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