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The Battle of Algiers - Blu-ray Review

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The Battle of Algiers

5 stars

For these turbulent times, there simply is no other film as influential and as important as Gillo Pontecorvo’s The Battle of Algiers.  Its black-and-white images are gritty and powerful and uncommonly modern for its 1966 date of production.  Its newsreel-like narrative is tightly wound and expertly developed to reveal its political policies of guerrilla warfare and street smarts humanity.  Winner of the Golden Lion at the Venice Film Festival and nominated for three Academy Awards in its year of release, The Battle of Algiers has been newly remastered, in both picture and sound, for its Criterion Collection HD debut.

Written by Franco Solinas and based upon the Algerian war, when French colonial armies dominated the streets in North Africa from 1954–1962, The Battle of Algiers depicts the first three years of struggle for the Algerian people with attention paid to both halves of the street-raving battle.  Freedom fighters, led by Ali (Brahim Haggiag) and a hand-picked cast of unknowns chosen for their rugged appearance and emotional effect for cameras, take to the streets and ignite an uprising against Col. Mathieu (Jean Martin, the film’s only quasi-professional actor) and the rest of the French occupational forces.  Full of piss and vinegar and all sorts of hand-made bombs, the rioters shoot, protest, assonate, and persecute their occupiers until all-out battle is the only recourse for troop survival.  And, yes, even the Algerian women join the fray as all is fair rebel factions begin forming the FLN, the National Liberation Front, in their war against occupational control.

There’s no denying that the real stars of the picture are the gripping cinematography of Marcello Gatti, the editing choices of Mario Morra, and the music of Ennio Morricone.  Together, this three-part harmony sings this film to trailblazing acclaim and cinematical longevity.  The shots are constantly rich and evocative of struggle with focused and unfocused moments of rival and a bit of handheld sprinklings as the men and women plant their bombs and wreak havoc on the streets.  Throughout it all, we are drawn in as innocent bystanders in another’s war and we watch with horror and intrigue at the sudden violence and black-and-white bloodshed.

While we never stick with one character for too long, their stories are intriguing and strong throughout as suspense builds.  Their drama is written across their faces; the horrors of guerilla warfare are without a victim and even the smiles on the faces of the children are tinged with a fair amount of sorrow.  The camera’s point-of-view is always immediate and masterful providing moments of tense suspense in spite of the deplorable amount of terrorism depicted on-screen.  In one expert sequence, the camera follows three women in separate parts of the city as they leave bombs in public places and contrasts the westernized women with the joy on the faces of the civilians about to be killed.

Children are ripped from women’s arms and people are marched into the street.  Some are beheaded and some are sparred.  Violent and very much like a documentary, The Battles of Algiers is a highly influential film that withstands the test of time due to its gritty realism and terroristic tactics.

Guerrilla filmmaking at its finest.

Blu-ray review of Gillo Pontecorvo's The Battle of Algiers.

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