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Bad Ass - Blu-ray Review

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Bad Ass - Blu-ray Review

3 Stars

While it started as an internet sensation, the real life story of an elderly man kicking ass and taking names on a bus has erupted into a full-fledged B movie starring genre geek favorite Danny Trejo.  In Bad Ass, it seems Trejo is humanity’s last best hope for justice on the streets of Los Angeles.  Other than resurrecting the late Charles Bronson, Trejo’s the only face I could ever see carrying this movie.  The movie doesn’t aim for the stars.  It has its fair share of loopy lines and goofy antics, but Bad Ass, tough as it is, isn’t pretending to be anything but a fist-fueling good time and it delivers the whole bloody affair.

Beginning (or should I say embracing) the B-movie cliché of montage, Bad Ass takes a step back from the youtube sensation about to make history upon the violent LA streets to tell the backstory of Frank Vega.  A child of the late 1950’s, we watch Frank (as a young boy) fall in love, jet off the war, return without hope for a job or his love, and reinvent his life as a corner street hot dog vendor.  Fast forward.  Life has indeed passed him by.  Clueless as to what a flash drive is, Vega has only himself and his Vietnam vet buddy Klondike (Harrison Page) to look upon after the loss of his mother.

Klondike has his beer.  Frank has his El Matador.  It gets them through the lonely nights.  Until they run out, that is.  Then, when Klondike does battle with a couple of gun-toting thugs on the payroll of a crooked mayor (Ron Perlman), it’s up to Frank - and not the police – to seek justice and bring his friend’s killers to some Old Testament justice.

Call him “Bad Ass”, folks.  That’s the moniker the media has slapped him with and the neighborhood agrees.  Frank’s neighbors – actress Joyful Drake and kid actor John Duffy – can testify to his protection against a deadbeat husband who beats his wife and is verbally abusive to his son.  They are now under his watch and no one screws with Bad Ass.  No one.  Not even a gang boss (Charles S. Dutton), who likes sending long texts and smiley face emoticons to the mayor, is untouchable.

Written and directed by Craig Moss (Breaking Wind), the film he’s developed doesn’t quite have the smarts to sell the narrative beyond a cliché-per-second genre flick, but – due in large part to Trejo’s commanding charisma – Bad Ass manages to overcome the shortcomings and be an entertaining slice of violent cinema.  It’s got exactly what was missing in Man on a Ledge: energy.  Almost chaotically unexpected with its choice of pick-me-ups, Bad Ass keeps the fire fueled with solid action and offbeat gonzo minutes of carnage and Trejo’s one-liners.

Bad Ass might play like a greatest hits package of Charles Bronson, but Trejo can handle the material like none other.  For those seeking a bit of street justice and random genre goofiness, Bad Ass is a solid choice.



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