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Brave - Blu-ray Review

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Brave - Movie Review

3 stars

It might have taken two-decades but Pixar – the animation company responsible for Toy Story, Finding Nemo, Wall-E, and The Incredibles – is finally (and rather specifically) addressing their female audiences with the heroine-led mother and daughter relationship featured in Brave.  While this longstanding oversight is to be commended, the results are rather safe and lack the emotional complexity that marked their previous features.  Sad news for fans of the company, but after the unfortunate beating the company took with Cars 2 (which was favored over its predecessor by this critic), one has to guess that this attitude is to be expected with new material.

Written by Brenda Chapman, Brave follows a strong and rebellious princess, Merida (voiced by Kelly Macdonald), as she continues to defy how a princess should act and upsets the wishes of a strong-willed mother, Queen Elinor (voiced by Emma Thompson).  Her father, King Fergus (voiced by Billy Connolly), understands Merida has more in common with his battle-ready ways but – wisely – sides with his wife in the matter of how Merida should behave for the benefit of the kingdom and the family.

The entire issue of proper and property comes to a head when Merida learns of how she is to be married according to the laws of the kingdom and sets off to find her own way after a highly charged emotional conflict with her mother.  She follows lighted objects through an enchanted forest and stumbles upon a witch who promises to make Merida a spell that will change her fate and her mother’s mind on the issue of her behavior forever.

And so Merida poisons her mother.  Only she has no idea what trouble it ultimately spells for her entire family; trouble that begins and ends with big, wholly mammoth-sized bears.

Pixar focuses on the family throughout this feature and from this deep well of emotional strife hits the family dynamic – which includes three younger male siblings – accordingly at times and glosses over family affairs at other times with gimmicky antics.  Remember the realness in the relationships that existed in The Incredibles or in Finding Nemo?  They barely register here.  Unfortunately, beyond the core relationship between a daughter and her mother, the story of Brave has no interest in pursuing the earnest relationship that exists inside of a family.

The animation of the characters – complete wit naturally curly red locks and fully realized faces – is top notch.  Even with the postures of their characters, Pixar reveals a grand character.  Much like the silent era, with posture all is revealed.  The naturalness of the picturesque Scottish locale is alive with greens and browns and becomes knowingly dark with a surreal mist in the spooky forest whereupon Merida stumbles upon the witch.

Ultimately, the main problem with Brave lies with the story that doesn’t fully believe in Merida as the heroine.  She’s not – even as the picture presents her as such – she’s simply not our hero.  The real hero is the mother – the one that has suffered at the hands of a selfish teenage child - and here, after a poisoning and a resulting transformation, is where the message the picture is imparting to its female audience gets a bit muddied.

Don’t get me wrong.  Brave has an empowering message that it eventually delivers (one can argue this to death about what exactly that is), but how it gets there – with very, very strained comedic moments and a rote mythology that seems too familiar to add any real depth to the picture – is a bit too much like what one would expect from a Dreamworks animated feature pre-How To Train Your Dragon.  I hope this path of least resistance doesn’t continue any further than here because, quite honestly, I know Pixar can do much, much better.

While Brave does feature a surprising transfiguration from one of its characters, Pixar presents its vibrant Scottish yarn as if it were merely another in a long, long, long line of Walt Disney animated features about girls and witches and enchanted forests and their mothers and that – adding nothing new to the mix - isn’t too brave at all.

Brave is a safe step backwards.



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