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Chernobyl Diaries - Blu-ray Review

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Chernobyl Diaries - Movie Review

3 Stars

Offering a little slice of horror to start off the summer, writer/producer Oren Peli (the brain behind Paranormal Activity) revisits the found footage phenomenon and presents us with a collection of nasty-looking nuclear mutants on a European vacation.  Many audience members are more than a little burnt out on the found footage structure but given our reliance on technology and social media these “self-shot” films are going to be more and more visible.  They cost little to produce; are all about the “now”, and they often turn a profit – proving to be critic proof.

Chernobyl Diaries is no different.  Admitting that, it must be made clear that Peli gets a number of things handled correctly.  Suspense?  Check.  Terror?  Indeed.  Life-threatening adventure?  Yes and yes.  Surprises?  Maybe not.  Logic?  Sometimes.  Yet, for the footage to ultimately work and survive much must be made of mood and atmosphere.  Here, Chernobyl Diaries absolutely delivers.  Pripayt, a bedroom community for the workers of the Chernobyl nuclear reactor, is a great landscape of isolation to explore.  Evacuated 48 hours after the 1986 disaster, the sense of dread and confinement smoking out from the disaster site is quite unsettling.

I’m not sure visiting the site of the Chernobyl disaster is on anybody’s bucket list but four American tourists – Chris (Jesse McCartney), his girlfriend (Olivia Dudley, and her best friend (Devin Kelley) - decide to make the trip regardless of the danger.  It’s called an Extreme Vacation and, after being talked in to it by Kiev resident Paul (Jonathan Sadowski), a tour guide named Uri (Dimitri Diatchenko in a great scene-stealing performance) sneaks them into the ghost town.

Of course, Pripayt is not as abandoned as we are led to believe and witnessing the curious creatures that remain is part of the intense squeeze-and-skirm mojo the film emanates.  While we may know what is likely to happen to these tourists – who pick up two more victims before the action really picks up – and we may know for what reasons, director Brad Parker keeps the action far from the mutants and keeps his audience on its toes.

Remember why The Descent worked so well?   The filmmakers capitalize on the feeling of isolation swathed on so thick it is almost palpable with much of Chernobyl Diaries.  The film isn’t without its faults – mainly in the format as there really is little “new” brought to this particular subgenre – but the film is decent enough escapism to provide a few genuine chills.

Summer just got spooky.



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