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Gone in 60 Seconds (1974) - Blu-ray Review

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Gone in 60 Seconds - Blu-ray Review

4 stars

Know this, your car - locked or heavily armed - is not safe from H.B. Halicki's badass crew of car thieves.

It might not be as sleek as the Nicolas Cage remake from 2000, but H.B. Halicki’s original Gone in 60 Seconds boasts a 40 minute car chase that wrecks just under 100 vehicles as one thief races against time to collect a very much prized muscle car.  Read that opening line again.  I’ll wait.  That’s right, 93 vehicles obliterated in a brisk 40 minute car chase.  While the total number of vehicles wrecked throughout the entire feature is close to 500, that number doesn’t even come close to the mph speed this thundering movie reaches in its running time.

Writer/director/producer H.B. Halicki stars as Pace, a mild-mannered insurance investigator, who goes about his life in a nondescript kind of way.  Of course this is all a sham; his real line of work comes from heading an illegal car-theft ring and chop shop and, when propositioned with $200,000 to steal 48 classic cars complete with an unrealistic deadline, he and his den of thieves – Eugene (Jerry Daugirda), Stanley (James McIntyre) and Pumpkin (Marion Busia) - just can’t resist the challenge.

Every single vehicular heist goes as planned…except for one.  Eleanor, a ’73 Mustang is Pace’s responsibility and, ultimately, the reason for the movie’s existence and continued celebration.  In this classic chase sequence, Halicki, who might not exude much charisma for a leading man, earns his racing and stunt driving stripes.  Most of the film’s appeal comes from this sequence and it never fails to disappoint…no matter how many car chase sequences you’ve seen in films before or maybe have been involved in.

It’s a wonder this film was ever made.  Halicki, credited as the screenwriter, apparently had the film “written” in his head only and sent the footage to his editor, Warner E. Leighton, in unlabeled boxes with no hint and no instruction in how it should be assembled together.  Fortunately, Leighton was the only crew member who had experience with film and was able to, literally, piece the scenes together.

The filming of the movie - with cars reaching speeds at over 100 mph - also proved to be problematic.  Halicki wanted to create the need for speed and have it translate across the screen which meant he had to put several people’s lives at risk in order to get certain shots.  He avoided close-ups because they were too safe.  Everything in the movie is filmed as it happened.  If there was a mistake or a car rolled too many times, it’s there and it’s a wild ride.  Mostly, as seen in the long-shots, it was his life at risk behind the wheel.

It is highly recommended that you pick up a copy of the original Gone in 60 Seconds before these puppies, like Halicki himself, are gone, baby, gone.



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