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Man on a Ledge - Blu-ray Review

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Man on a ledge - blu-ray review

1 star

If you are at all like me, you see the possibilities that the gimmick of a man on a ledge somehow pulling off a jewel heist while pledging his innocence could sell itself on an assumed B-movie premise.  At once, all the white-knuckled moments flashed across your mind.  Think of it!  The tension! The height!  All the drama that could unfold!  It all could have been an unexpected delight.  Bad news.  Yes, I say “could have” because this film simply doesn’t.

Man on a Ledge is a “could have” and “should have” type of film.  Full of possibilities, the film falls apart faster than a convention of overweight shut-ins.  It’s a shame, too.  The beginning is full of promise: a man enters a midtown Manhattan hotel and enjoys some room service.  He then opens the window, climbs out, and waits on a ledge until the police are notified.  Thing is that he is over 25 stories off the ground.

Wow, right?  That’s your mysterious opening of B-movie potential.  It’s simple and dynamic and the possibilities are limitless.  Unfortunately, director Asger Leth and screenwriter Pablo Fenjves prove that concept itself doesn’t a worthwhile endeavor make.  As soon as the cast starts to arrive – actors Edward Burns, Elizabeth Banks, Ed Harris, Kyra Sedgwick, Jamie Bell, and Genesis Rodriguez – the film begins to fizzle and then completely rage itself off the rails kicking up large rocks of implausibility and moments so “forced” not even George Lucas could claim them with a thump of his chest.

Leave it to Sam Worthington – a wooden plank of an actor if ever there was one – to take the piss out of Nick Cassidy’s game of high-octane mental chess with his opponents.  There’s just nothing behind those looks.  Suspense diffused.  Banks is completely out of her league with a performance that simply goes nowhere and does little else.  It doesn’t help when the dialogue reduces every character to stock, though.  Even the great and grand Ed Harris can’t sell the angry lines he is paid to spit out.

We are supposed to be manipulated by the script.  We aren’t.  The family “feud” between Bell and Worthington amounts to little else than boys at play and, suddenly, by way of a rejected Mission Impossible break-in scheme, the mayhem they designed is never a surprise…only the tools they use seem a bit too convenient to be believed.

What’s missing is energy.  Man on a Ledge never quite matches the energy of the opening and simply plods along into tired scenes and situations that – when played against a man on a ledge – never quite gets the momentum it should.  It’s a gimmick film, people, it shouldn’t be that hard to sell itself.  Nick of Time did this.  Remember that one?  Johnny Depp racing against the clock.  It absolutely worked.  Energy, energy, energy.  It’s not found here.

Yawn.

Someone, please, push this man off his ledge.



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