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Re-Animator (1985) - Blu-ray Review

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Re-Animator 1985 - Blu-ray Review

4 stars

It’s the movie that just won’t die.

Just when you think it’s safe to return the laboratory and conduct your experiments again, H.P. Lovecraft’s Re-Animator in its entire gory splendor returns.  This time, at long last, it takes to the halls of Science and Disgust in eye-popping High Definition.  The movie is long considered to be the defining statement in 1980’s horror.  It, alongside Sam Raimi’s The Evil Dead, changed the path horror films would take for almost a decade.  Combining humor with over-the-top blood and even more guts, Re-Animator succeeds as being a darkly disturbing look at life after death.

Medical student Herbert West (Jeffrey Combs who is excellent in the role and fully deserved of his Horror Icon status) arrives at Miskatonic University with the hopes of finding a professor that can teach him something he doesn’t already know about bringing the dead back to life.  He rents a room with fellow student Dan Cain (Bruce Abbott), who is dating the dean’s daughter Megan (Barbara Crampton), and immediately sets up camp in the basement.  What’s he building in there?  Dan and Megan can hear noises, but never realize that he has his own private lab in there.

On campus he instantly earns the hatred of Professor Carl Hill (David Gale) as they argue quite heatedly over the subject of brain death. Driven to delve deeper into reanimation of dead flesh, West practices his formula on the pet cat and, after getting Dan to help him into the morgue, on the recently deceased.  Re-Animator gleefully follows the unholy drama and sadism that happens when West makes waking the dead his business.

The H.P. Lovecraft story on which the film is based on, Herbert West, Re-Animator, might not be the best example of Lovecraft’s chilling body of work but, after being tweaked by director Stuart Gordon and co-writers William J. Norris and Dennis Paoli, serves as a strong enough backbone for some memorable moments and a lead character that would continue on for two more features (and a much rumored third if Gordon and Combs get their way).  In fact, this film marks the return of Lovecraft’s source material in Hollywood after a long absence when Rod Serling’s Night Gallery shut its doors in 1973.  Both twisted and scathingly funny, the script – just like the well-rehearsed cast – fires on all cylinders for maximum enjoyment.

Perhaps one of the best things about Re-Animator is its use of practical (and sometimes cheesy) effects.  The texture created by a real person generously covered in stage blood and prosthetics is ripe with substance.  It also adds to the fun of the picture for the audience and the cast (which has always, from their point of view, been delivered from a wink-wink-nudge-nudge gesture).  It’s both playful and gross.  With a marvelous sense of reality animating the living dead, the generous servings of more and more gore and real latex makes today’s Hollywood and its overuse of CGI look weak and, dare I say it, lifeless.

Writer/Director Stuart Gordon and Producer Brian Yuzna are to be commended in having the balls to never compromise on Re-Animator’s dark subject matter.  They battled studios and outraged audiences and won.  The impact the movie has had upon a generation of filmgoers is only just now being felt as they pursue the extreme with their own perverse visions of Horror and humor in Hollywood.  Even if you’ve seen it before, this release is worth the time and the effort.

Re-Animator lives again!



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