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Jaws (1975) - Blu-ray Review

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Jaws - Blu-ray Review

5 Stars

Amity Island would like to welcome you back. The beach, however, is still closed. Jaws, as a BIG part of Universal’s 100th anniversary, has finally arrived on blu-ray with a detailed and loving restoration that adds new life to a film first released in 1975. It was the first and arguably the most unforgettable blockbuster and with this new coat of HD paint Jaws looks and feels like a whole new film.

Starring the ocean’s most feared predator and directed by a then 28-year-old Steven Spielberg, Jaws is one of the most influential films ever released upon an unsuspecting public.  The film, based on the Peter Benchley novel of the same name, could have easily been a misfire with the public.  It was a huge gamble that paid off big time for everybody involved.  But when we look a little closer, we can see just how lucky and fortunate and clever and talented those involved with the project were.  Jaws is a B-movie by design with its simple premise of hunting a great white shark that gets its jollies from terrorizing a small coastal community and with the mechanical shark being more of a burden than an actual prop, there was every risk that the film would never produce the desired effect of terror.

Thankfully, Spielberg and his leading men of Robert Shaw, Richard Dreyfuss, and Roy Scheider muscled past the limitations of the script and the special effects and made everything come to life.  The hard-nosed experienced shark hunter Quint, a man with a cold set of reasoning skills is rendered perfectly human by Shaw.  Dreyfuss brings an easygoing personality to his role as the shark scientist from a family of means.  Scheider's police chief Brody finds himself some mojo as an outsider forced to police the very water he is afraid of.  On paper, these three B-movie archetypes are beyond simple; the actor’s make them human.

Spielberg, working tirelessly without an operational shark, borrows more than a few tricks from Hitchcock to produce the right level of suspense that more than carries this film across the finish line.  The action scenes he captures are both artistic and thrilling and, working alongside cinematographer Bill Butler, leans upon his film school background to establish himself as a new voice and vision in cinema.  Editor Verna Fields shares a bulk of the credit for the success of Jaws, too.  We should see very little of the shark seems to be the mantra.  And it absolutely works.

Jaws is a high watermark; the defining moment for summer blockbusters and its success forever changed the studios and how they conduct their business…for good and for bad.  The movie itself is the real deal, though.  It’s a genuine masterpiece of mood (thanks to John Williams’ iconic score) and monster mayhem.  Watching it again, one is surprised at just how quickly it snaps together into a work of art and pushes our imagination to fill in the blanks of just how big this leviathan, legacy and all, actually is.



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